Awards Archives - Burtonwood AMADS https://burtonwoodamads.co.uk/category/awards/ Amateur Music and Drama Society Tue, 18 Feb 2020 11:04:26 +0000 en-US hourly 1 https://wordpress.org/?v=6.8.8 https://burtonwoodamads.co.uk/wp-content/uploads/2025/03/logo-120x120.png Awards Archives - Burtonwood AMADS https://burtonwoodamads.co.uk/category/awards/ 32 32 Nominations and Awards – Death by Fatal Murder https://burtonwoodamads.co.uk/nominations-and-awards-death-by-fatal-murder/ Mon, 17 Feb 2020 13:20:15 +0000 https://burtonwoodamads.co.uk/?p=1090 Burtonwood AMADS received 6 Nominations for NODA North West Awards, District 8: BEST DRAMA: Death by Fatal Murder – WINNERBEST PROGRAMME (GOLD): Judith Maffitt – WINNERBEST SUPPORTING FEMALE IN A DRAMA : Pauline Thomas (…

The post Nominations and Awards – Death by Fatal Murder appeared first on Burtonwood AMADS.

]]>

Burtonwood AMADS received 6 Nominations for NODA North West Awards, District 8:

BEST DRAMA: Death by Fatal Murder – WINNER
BEST PROGRAMME (GOLD): Judith Maffitt – WINNER
BEST SUPPORTING FEMALE IN A DRAMA : Pauline Thomas ( Blodwyn)
BEST DIRECTION OF A DRAMA: Judith Maffitt ( Director)
BEST LEADING MALE IN A DRAMA: Rob Minjoot (Inspector Pratt)
BEST STAGING IN A DRAMA : Brian Maffitt

Noda Awards 2020

Noda Review

Burtonwood AMDS opened their 2019 season this week with their farcical comedy Death By Fatal Murder, by Peter Gordon.  This fantastic script is a great showcase for any society as it gives a great opportunity to explore character, as well as conveying both comedy and farce.  The action takes place in Bagshott House in 1940’s, a country estate owned by the late Colonel Craddock, where several years ago a murder took place and was investigated by the bumbling Inspector Pratt.  This time, a police constable has gone missing in the house and Inspector Pratt has been called in to investigate – cue the farce!

This play was directed by Judith Maffitt.  Most of the action takes place within one location, with references to the house next-door and the adjoining rooms to the guest house.  Being a farce, the timing needs to be perfect and most of the physical elements to the farce in this play were very well rehearsed and set up.  I particularly liked the physical comedy moments from Inspector Pratt.  The direction was evident and the story telling was particularly very good in this play.  It was easy for the audience to follow, and at times, the audience were two steps ahead of Inspector Pratt – who wasn’t the sharpest tool in the box!  There were a few points in this piece when the actors were upstaged or were talking up-stage, but I fear this was down to the individual performers rather than direction.  The time period changed throughout this play, with references to it being midnight, however the clock on the wall stayed at 6:10pm throughout.  Visually, the whole piece looked really good and was very pleasing to the eye.  Well done Judith!

The technical elements to this play were good.  The lighting cues were on time and the quality of the sound was good.  I would’ve preferred to have heard some 1940’s music during the scene changes and during the interval etc but this is just a personal thought.  The costumes were also very good and apt for each character.  One character had a modern hair bobble on her wrist throughout and a few of the ladies had on modern make-up, with contouring etc which looked slightly out of place, but I doubt any of the audience would’ve noticed this.

The set was particularly excellent.  It was obviously very well constructed so a special mention must go to Brian Maffitt and Tommy Leonard for their obvious hard work!

The protagonist of this piece was the idiotic Inspector Pratt, played brilliantly by Rob Minjoot.  Rob was very funny both vocally and physically.  He stayed in character throughout this piece, even when he lost his words.  He made this part very funny and very believable.  I felt really sorry for his character and Rob did well to quickly get the audience on his side.  This brilliant script really lends itself to quality comedy and Rob’s interpretation of Pratt was brilliant.  There was a hell of a lot of dialogue for Rob to learn and he did very well with this.  For me, Rob was the star of the show – well done Rob!

Nancy Allwright was played by Maryanne Gleeson.  Maryanne did well to set up the opening of the play and was intriguing to watch.  I could tell that Nancy was embroiled in the plot somehow.  I would’ve preferred a slightly more pace and energy to her characterisation to enhance the overall comedy and pace but I’m being very picky.

Ginny Farquhar was played by Bianca Tranter.  A smaller part, but Bianca displayed great energy and commitment to character, I would’ve liked to have seen more of her!  Bianca had excellent diction, articulation and projection.  I liked her styling of her costume and she was very well cast in this role.  Bianca was one of the characters with modern contouring in her make-up which looked slightly out of place.  Bianca had a great rapport with others on stage with her and gave a lovely performance.

George Goddard played the role of Constable Thomkins.  George played the role well and was very good with his cue lines.  He also has a nice stage presence and helped with the overall pace.  I felt that his character was a little two-dimensional at times.  It would’ve been nice to see on his face how he really felt about Pratt behind his back, or the stolen glances with Nancy etc.  There is a lot more in the subtext of this complex character that was missed.  Saying that, George was well cast and very likeable.

Lavinia Lunt played the role of Joan Maple.  Miss Maple, (I suspect is based on Miss Marple), is the sleuth of the piece who helps to work out the ending (with a plot twist of fraud).  There is a lot of depth to this character and lots of ways that it could be interpreted.  I found that Lavinia’s version of this character wasn’t very apparent due to the fact that Lavinia was searching for the words throughout the whole play.  There were numerous times when the prompt was used which stopped the characterisation.

Pauline Taylor played the role of Blodwyn Morgan – the amateur medium who can connect with the deceased.  Although Blodwyn also had a few memory lapses with the script, her energy and commitment to the role was brilliant.  Farce needs pace for it to work and Pauline brought a much-needed pace to every scene that she was in.  I liked her characterisations of each of the personas of the dead.  Pauline has a great ear for accents too and her projection was excellent.  I look forward to seeing Pauline in a future production!

Enzo Garibaldi – the suspicious Italian, was played by Brian Maffitt.  Brian’s Italian accent was so bad that it was really funny.  I’m not sure if this was the intention or not but it added to the overall comedy all the same.  His wig was equally as bad and equally as funny too.  I felt that this part should’ve been played with someone a little younger and that Brian would’ve been more suited to the role of Squadron Leader Allwright but Brian was very entertaining nevertheless.

Squadron Leader Allwright was played by Arran Abbey.  I was a little underwhelmed by Arran’s performance.  Whilst he looked the part in his brilliant costume, Arran repeatedly came out of character and corpsed slightly during scenes.  I also felt that his characterisation was a little laid back for that of a Squadron Leader too.

Overall, this play has the bones of being excellent.  The script is very funny, and this version was nearly there.  Unfortunately, the prompt was used far too many times which hindered both pace and characterisation.  Despite it being opening night, I felt that the cast needed a few more weeks to perfect the words.  If so, this would’ve been an outstanding piece of theatre.  Despite the prompt, the play was still very funny and entertaining to watch.  Two of the ladies on the front row were laughing so much I thought we might have to call an ambulance!  If that’s the way the audience were reacting on the opening night, then I fear for the ‘death’s by fatal laughter’ on the closing night!

The post Nominations and Awards – Death by Fatal Murder appeared first on Burtonwood AMADS.

]]>
Nominations and Awards – There Goes the Bride https://burtonwoodamads.co.uk/nominations-and-awards-there-goes-the-bride/ Sat, 17 Feb 2018 12:33:46 +0000 https://burtonwoodamads.co.uk/?p=1080 Burtonwood AMADS received 7 Nominations for NODA North West Awards, District 8: BEST DRAMA: There Goes The Bride BEST SUPPORTING MALE: Brian Maffitt (Gerald Drimmond) BEST SUPPORTING FEMALE : Jayne Harnick ( Polly Perkins) BEST…

The post Nominations and Awards – There Goes the Bride appeared first on Burtonwood AMADS.

]]>

 

Burtonwood AMADS received 7 Nominations for NODA North West Awards, District 8:

BEST DRAMA: There Goes The Bride
BEST SUPPORTING MALE: Brian Maffitt (Gerald Drimmond)
BEST SUPPORTING FEMALE : Jayne Harnick ( Polly Perkins)
BEST SUPORTING FEMALE : Amy Jones ( Judy Westerby)
BEST ARTISTIC DIRECTION: Judith Maffitt ( Director)
BEST MALE LEAD: Rob Minjoot (Timothy Westerby) – WINNER
BEST FEMALE LEAD : Leigh Nash ( Ursula)

 

NODA REVIEW

There Goes the Bride, a funny farce by Ray Cooney & John Chapman which is so well written and each character equally considered as a pivotal role within the piece. On the day of his daughter’s wedding, father of the bride, Timothy Westerby, over worked and stressed, suffers many injuries to the head, which result in the appearance of his latest advert campaign, a 1920s flapper girl named Polly, whom only he can see causes so much confusion and havoc. This ably sets the play up for some of the most farcical theatre written.

This is a piece of great difficulty; each character needs to be 100% secure in both staging and dialogue as everything in the script is intertwined and the comedy purely relies on all the lines being in correc6t sequin. The cast in this production were very confident and rehearsed which eluded to every joke dropping perfectly. This cannot be achieved overnight, it is a skill which is learned over time with teamwork, trust and personal ability all factoring in to produce something to this standard. It was apparent that this cast worked extremely well together and the casting was spot on. It is a big requirement that each cast member gives the impression that they indeed cannot see Polly the flapper, this was executed so well. I almost started to believe she wasn’t there myself.

Director Judith Maffitt, achieved great pace in this piece and most notably the staging was excellent, this is certainly a piece where the director has to work hard to consider each entrance exit as it is such a busy show, at no point was there a blocking issue or where we could not follow exactly what was occurring. A job very well done.

Leigh Nash brought Ursula Westerby, the mother of the bride to the fore of this performance, a very relaxed and natural performer who has a great gift for comedy and never over-playing. She gave a very grounded performance and throughout most of the play she is the voice of reason until it becomes apparent she is out of her depth.

Amy Jones as Judy Westerby, the bride, although this role has very little to say within the piece, this didn’t stop Amy Jones from giving a great performance, funny and excited to start, apprehensive and confused towards the end, she portrayed a beautiful bride. Wonderful and engaging facial expressions which kept the role relevant throughout.

Brian Maffitt as the Gerald Drimmond, the father-in -law to Timothy, offered some of the best comedy during the evening. A man of great skill, a force to be reckoned in the comedic department. He looked very much at home on the stage. He worked so well with other cast members, his scenes with Timothy were just a hoot and it was clear where all the confusion was coming from.

Lavinia Lunt was a hoot Daphne Drimmond, wife to Gerald, playing her as a straight faced, matter of fact lady, which caused some much confusion. Her interludes were welcomed in her scenes as she just had a great face which was dead pan and a great contrast to that of her husbands. The northern accent worked very well giving more vibrancy to the script.

Timothy Westerby, Rob Minjoot, what a role to play and what a great interpretation we received. Having to cope with the physical demands of two different characters, along with having some very wordy script, Rob excelled in this role. A role that required different body language for each character he got it spot- on, without being over stated, this kept the whole piece very real which I feel made it even funnier that it intended to be. A hit with the audience, we could have watched him titter around the stage giving outburst of 1920’s songs all evening. The hilarity of this role and the confusion it causes is the focal point of the play and this piece would not have worked if the role of Timothy was not perfected in its delivery, I am so happy to say it was played excellently.

John Hickey played down to earth Bill Shorter, well. This character needed more projection throughout but we had a wonderful collection of facial expressions from John. Comic timing was good and he worked well with other cast members.

Jayne Harnick gave Polly the most alluring presence, although she didn’t have much to say she made up for this in her acting skills, great reactions to the scenes and a certain amount if devilment in her eyes. Very well played.

Dave Bolitho as Charles Babcock, I felt sorry for this character as he does not appear until the second act, throughout the play we are given a great deal of information about this character through other characters opinions of him so there was a certain expectation of what he would be like if we ever met him, on this occasion Dave had a great grip on this role and lived up to the character alluded to by the rest of the cast. A great role embellished with a fantastic Australian accent.

Costumes were appropriate, we were treated to the most hilarious wardrobe malfunction which involved a set of braces, to the audiences delight this couldn’t be rectified, it was a hoot. This did not affect the cast in the slightest.

The staging for this piece is clever and it only demands one set throughout, no scene changes which allows the pace to remain stable and to provide great continuity for the difficult script. A good set, with three exiting doors and a set of double doors dead centre at the rear, provided enough to cause much confusion and create a very busy stage.

Lighting was basic but there are no special requirements in this piece and what was provided was very satisfactory. Projection of the players was very good, they made allowance for the eruptions from the audience and waited for the laughter to die down before moving on. This again showed the skill and understanding of those on stage.

Overall, this is a terrific play but testing and demanding on any cast. I thoroughly enjoyed this production and felt the quality of performance was of a very good standard. I look forward to my return visit for your upcoming pantomime.

Thank you for your warm welcome and hospitality on the night.

The post Nominations and Awards – There Goes the Bride appeared first on Burtonwood AMADS.

]]>