
Past Events
NODA Review
Date
- 31st January 2025
- Society
- Burtonwood AM & Dramatic Society
- Venue
- St Michael’s Parish Hall
After postponing their performance in October, Burtonwood AMADS brought their version of ‘The Wedding Singer’ to the stage, directed by Alli Owen in her directorial debut. The use of the stage is always impressive at Burtonwood. With a small stage, they are able to create different locations, using flats that spin, which was totally effective. There were some lovely moments of direction from Alli, such as the pre-show moment with the best man of the first wedding and his partner (played very well by Jim McMillan and Bianca Tranter), the use of junior members throughout, and the comedic elements integrated into the production. The blocking and stage positions were good throughout and it was clear that Alli had thought about this in her direction. Generally speaking, the pace of the production was good. There were a few moments with late entrances and the cast waiting for the lights to come on where the pace slowed. Costumes were very good, and brought the audience straight to the eighties.
Jayne Harnick was the musical director, with assistance from Izzy Nash. The cast performed to backing tracks and did well with this. The vocals were generally strong from the cast, especially the female characters. The ensemble were well drilled with the songs, adding some nice harmonies.
Bianca Tranter choreographed the production with assistance from Bronte Tranter and the tap routine was choreographed by Marie Gleave. There was much to admire from the choreography, which was performed well, especially in such a small space. There were moments of comedy choreographed in numbers, and the stylised choreography in ‘All About the Green’ was a nice change. This number also included a short section of tap, which was well performed, adding a further texture to the choreography.
Technical elements were generally good throughout. The lighting used was good, with clear areas denoted, which were all lit well. There were some problems with sound, with interference to the cast microphones. When the sound was behaving, the balance between backing tracks and microphones was good. There were a few moments where microphones were left on backstage.
Zack Smith played the titular wedding singer, Robbie. Zack created a believable relationship with Jayne, and their scenes were sincere and truthful. There were some good comedic moments from Zack. There were moments that Zack appeared unsure with what he was doing, but he did a good job overall.
Jayne Harnick impressed as Julia. It was the standout performance of the production, with great vocals and a strong acting performance. There were sincere moments from Jayne, such as the moment where she was trying on her wedding dress and imaging herself marrying Robbie, as well as moments of comedy. It was a joy to watch Jayne on stage.
Bronte Tranter played Holly, Julia’s best friend. This was a confident performance from Bronte and she seemed completely at ease on stage. It was an entertaining performance, and Bronte showed lots of layers to the character. ‘Right in Front of Your Eyes’ was a particular standout number.
After appearing in the same role with another society, the character Sammy was in the capable hands of Tom Ray. Tom created a believable friendship with Zack and Arran – you believed they were actually part of the band. Tom’s vocals were good, and there was a good relationship with Bronte.
Arran Abbey seemed to be affected most by the microphone issues as George. Arran certainly looked the part and played the concerned friend well. It was such a shame about Arran’s microphone, as a lot of his dialogue and songs were missed.
Herb Moore took on the role of Glen. Herb gave a confident portrayal of Glen, and he played the money driven Glen as a complete narcissist that worked for the character. Herb never once came out of the character.
Hannah Smith was suitably funny and over the top as Grandma Rosie. It was clear that Hannah knew the script inside out, and was able to have fun with the role, with little quips here and there.
Chloe Hughes played Linda, Robbie’s fiancée who breaks his heart at the altar. This was a strong performance from Chloe who commanded the space as soon as she appeared. Her vocals were powerful, and she brought great comedy to the production.
Leigh Nash had a nice cameo role as Angie, Julia’s mother. There were some nice comic moments in Leigh’s performance, making a small character standout.
The ensemble was a standout in this production. The use of younger members was great as bridesmaids and guests for the different weddings. The ensemble attacked the numbers with great energy and created some great characters, which added to the overall comedy. Some highlights were the Losers at Table 9, who were all full of character and committed to these characters created, and the celebrity lookalikes.
Overall, this was a good production. The staging was inventive, the ensemble was particularly strong, and there some pleasing principal performances.
A big thank you to everyone at Burtonwood AMADS for their kind invite and their hospitality.
NODA Review
- Date
- 5th July 2024
- Society
- Burtonwood AM & Dramatic Society
Burtonwood Amateur Music and Drama Society continued their 40th anniversary celebrations with their production of ‘A Bunch of Amateurs’. Making her directorial debut was Hannah Smith. The set was visually appealing, and was able to transport the audience to different locations. From the barn with village notices pinned up to Mary’s B&B; each location had been thought about. The attention to detail was very good, as each time the audience visited the barn, there were changes to it as they prepared for the King Lear performance. The scene changes were done quickly, with pieces of furniture being brought on. The pace could have been pushed further throughout the production. Having the cast enter through the auditorium doors was a good directorial choice. It made the audience feel like they were in the barn with the cast. The timings of these entrances could have been quicker, as there were moments where the audience were waiting for the character to get to the stage. This would have helped quicken the pace, which is important to the comedy genre as a whole. The groupings of the cast on stage were good, and it was good to see the whole auditorium being used. It made the audience feel like they were another character in the production, especially during the opening moments of the play with Mary and Nigel sat in the audience as Dorothy gave her speech. Costumes were modern dress and suited each character well, from the well-dressed Nigel to Jefferson’s black t-shirt and jeans. The costumes for ‘King Lear’ looked fantastic! Suitably extravagant.
Technical aspects were integrated well into the production. Sound effects were good throughout. The music between scenes was good, with songs performed in a Shakespearean way. Lighting was good throughout. The lighting for the action sequences were well done and added to the comedy. The sprinkler effect was a genius way of tackling the scene and brought laughter to the audience.
Jim McMillan was fantastic as the faded American movie star, Jefferson Steele. Jim sustained the American accent throughout, and there was a cockiness to the character, which worked extremely well. Jim told Jefferson’s story well, going from an over-confident character to losing his hard exterior and letting people into his life. Jim delivered the Shakespearean lines in a classical way, whilst still maintaining the American twang, which was impressive!
Julie Ratcliffe did well as the director, Dorothy. Julie was secure on her lines, delivering them clearly. It would have been great to see more of a build up between the blossoming relationship between Dorothy and Jefferson, but Julie did create a good partnership with Jim. Julie did well to continue with her performance following her onstage accident. Please keep each other safe!
Jess Ratcliffe performed very well as Jessica, Jefferson’s daughter. This was a strong performance from Jess, showing a fraught relationship with Jefferson at her introduction, to slowly forming a loving father-daughter relationship. Jess had a great American accent, which she sustained throughout.
Pauline Taylor provided good comic support as Mary. Pauline had good comic timing, and her facial expressions further added to the comedy, especially in the massage scene. Her obsession with Jefferson was nicely played, and mistaking him for other Hollywood actors was very funny.
John Hickey looked like he was enjoying the role of Nigel, longstanding member of the Stratford Players. John was quiet compared to the rest of the cast when delivering the lines – just increase the volume to match the rest of the cast. John did throw himself into the character, especially the well-choreographed sword fight with Jim.
Sally Rice played the company’s stage manager and performer, Denise. Sally offered good support to the rest of the cast. There was some uncertainty in lines, but Sally showed a good understanding of comedy, especially in the scenes as Jefferson’s entourage.
Alli Owen offered good support in her role as Lauren, the wife of the sponsor. Alli’s vocal clarity and diction were very good, and this was an enjoyable performance. The massage scene was very funny, and well performed by Alli.
Arran Abbey appeared as both Journalists, at the same time. This was an interesting concept, with Arran in half male and half female attire. Arran fully committed to this role, changing his voice and physicality for both characters.
Overall, this was an enjoyable evening. There were some good characterisations, good comic moments, and great costumes, especially the Shakespearean costumes.
Warrington Guardian Review
The Addams Family
19th Feb 2024
Starring Zack Smith and Bianca Tranter in the central roles of Gomez and Morticia Addams, this imaginative production was laugh-a-minute funny, with outstanding vocals and toe-tapping choreography.
A 1960s TV staple, the ‘kooky, spooky and altogether ooky’ Addams Family became a hit ‘90s movie before finding Broadway success as a musical in 2010.
Featuring music and lyrics by Andrew Lippa, the show centres on the consummate Princess of Darkness, Wednesday Addams (Isabelle Nash), who has received a marriage proposal from Lucas Beineke (Arran Abbey) – a sweet young man from a respectable family, who her parents have never met.
When Lucas and his parents reluctantly accept a dinner invitation from Wednesday that Gomez never extended and Morticia hasn’t sanctioned, the farce begins at the Addams’ macabre mansion… First-time director Leigh Nash coaxes every ounce of talent from the cast – staging a memorable show full of style and pizazz. Smith and Tranter are the embodiment of Gomez and Morticia. Their sizzling chemistry peaks with a sensual ‘Tango de Amor’, which Tanter wraps her endless legs around to perfection. Smith’s tongue-twisting dialogue is note-perfect, and his comic asides brilliantly timed.
As crossbow-toting Wednesday, Nash bristles with attitude. Her powerhouse vocals are a highlight of the show; none more so than in ‘Pulled’. Special mention must go to AMADs debutant Annabel Fox, who delights as rhyming Alice Beineke, and to Amy Gladwin as the most lovable Uncle Fester, whose affair with the moon reaches its zenith thanks to outstanding special effects courtesy of the sound and lighting crew: Mike Nash, Nathan Higham and Michael Aaron.
Ali Owen is a delightfully dotty Grandma Addams (the relative no one wants to claim); Oliver Matthews is a promising Pugsley; John Hickey raises a smile as mute butler Lurch; and Rob Minjoot, star of ‘It Runs in the Family’, imbibes Mal Beineke with frenetic energy.
It is a sign of a society rich in talent that many stars of previous shows – including Jessica Ratcliffe, Rebekah Denton and Gemma Ewen – can be seen shining in the ensemble. Indeed, Burtonwood AMADS continues to level up with evermore impressive sets, meticulously created by Helen McNicholas; sophisticated arrangements by musical directors Isabelle Nash and Jayne Harnick; and enhanced lighting and sounds systems courtesy of Warrington-based energy company Matrix.
Full credit goes to the management team, who are celebrating a much-deserved NODA Award for their Chairman Brian Maffit – a Burtonwood legend who has dedicated 40 years to amateur theatre.